100 % TagList albums ambiental deejay interviews. Susumu Yokota - Purple Rose Minuet 09. The Mystery Of The Yeti - The Yeti Revelation 10. Dousk - Falling People 11. Welcome to Unexpected Version: XIV-Autumn Sonnet-Watch your thoughts; they become words. Watch your words; they become actions. Watch your actions; they become habits. Watch your habits; they become character. Watch your character; it becomes. Http:// kobe rapidshare tai http:// ' http:// '><b>spying on girls</b></A><br> <A HREF=' http:// '><b>card. Horror movies 45s best instagram 2m 34s stickam rapidshare com 2m 44s pallbearer sorrow and extin 2m 56s solidworks 2014 net. Susumu Yokota – Chaotic Waltz 06. Riow Arai – Control 09. My introduction came via a compilation track called . No regrets, believe me; it wound up being one of my favorite records of the year. Poking around online, I discovered that Yokota had been making music since at least 1. Most of his productions were house and techno variations geared toward the dancefloor, and most were only available as imports. I've since purchased a double LP of his called 1. I could tell from the cheap, garish cover it was one of his dance releases. It's fascinating to me to think that the same person responsible for Sakura also created this. The music, at first pass (and there have not been many since), seemed stiff, without personality, and silly without the attendant humor. It's obvious that 1. DJ tool and not an album, as the tracks are beyond repetitive, with no real end or beginning. This utility only served to put more distance between me and the music. More than anything, Yokota's 1. I have a lot to learn about dance music, and my living room is probably not the best classroom. But it didn't affect the strong affinity I feel for Yokota's home listening material, a connection only strengthened upon hearing Grinning Cat. Where Sakura found Yokota exploring the sonic properties of the reverberating guitar, Grinning Cat focuses heavily on piano. The acoustic keyboard treatments vary from looped lullaby fragments, fuzzy with white noise on . Some of the piano parts are definitely sampled, with the loops cut in an intentionally jarring and disorienting manner. Others featuring winding melodies stretching across several bars which are surely played by Yokota. The thematic unity of the piano aside, this record finds Yokota moving in ten different directions at once. It's almost as if these pieces were composed as singles, such is the varied feel. Yokota has a deep well of inspiration to draw from, and is extremely comfortable with a staggering array of styles. I may never begin to know and understand exactly where he's coming from, but I'm content to explore this patch for now. We'll see where I can go from here.
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