TurboBit.net provides unlimited and fast file cloud storage that enables you to securely share and access files online. The Top 1. 2 Pianists of the 2. Century, Composition Music Contest. The top 1. 2 pianists of the. Torrent anonymously with torrshield encrypted vpn pay with bitcoin. HISTORIC FLIGHT TO PARIS. Lunedi' pomeriggio hanno posato il carrello sul campo Cappa di Casale i due velivoli monomotore dell'Aero Club Palli che hanno partecipato al volo a Parigi organizzato da Fly Story. 70th International Chopin Piano Festival, 7 August - 15 August 2015, Duszniki Zdroj, Poland. Ampico Roll Collection Pukalani Palace Maui Hawaii 11/20/2014. 1929 Knabe 5' 8' Ampico B Reproducing Piano - Maui Hawaii. Variations on a Theme of Chopsticks - Bill Flynt & Robert Armbruster - Tonnenson -Recut. Cembal d'amour, CD 150 Bid. 3 MOZART: The duet “L. With Giuseppe Valdengo, Baritone (2/26/1951) VERDI. Janina Fialkowska; Background information; Born (1951-05-07) May 7, 1951 (age 65) Origin: Montreal, Quebec, Canada: Occupation(s). Janina Fialkowska, OC (born May 7, 1951) is a Canadian classical pianist. Piano Wizard)Here is my . I want. to emphasize five things. First, please don't be pissed if you don't see your. You may find some of them on two other pages. I wrote, Great pianists besides the . Second, I admit that I have not heard enough. Edwin Fischer (1. 9780078655623 0078655625 Signature Reading: Level L Spe 9781606641453 160664145X Moth and Rust, Mary Cholmondeley 9780744579505 0744579503 S/Wrap - Bca Fiction X5, Zzz 9780199234035 0199234035 Motivation in Public Management. Lauded for “superb playing” and “poised, alert musicianship” by the Boston Globe, and labeled “definitely a man to watch” by London’s The Independent, American pianist SPENCER MYER is one of the most respected. Myra Hess. (1. 89. Walter Gieseking (1. Vladimir Sofronitsky (1. Solomon (1. 90. 2- 1. I understand that all these are important figures in. I promise I will work hard to familiarize. Third, to fully understand a. Due to the lack of time, experience and sophistication, it was impossible. However, I still tried my best to listen to as many of. I could. Only a subset of these are discussed here; I have. I will keep adding to. Fourth, I don't talk about any piano roll recordings. Finally, all of the critiques below are my own. They are all firsthand critiques, and absolutely no plagiarism is. You are welcome to send any comments to Piano. His piano teachers included Nikolai. Zverov (1. 83. 2- 9. Alexander Siloti (1. Rachmaninoff's cousin and a Liszt pupil. Before the 1. 91. Revolution, he spent. After the Revolution he left Russia and went. United States, where he began to concentrate on his piano and conducting. Don't miss his amazing orchestral recordings of his own 3rd symphony. Isle of the Dead). He made his earliest commercial recordings in 1. Rachmaninoff's complete. CD RCA Gold Seal boxed set. Click here to. see a list of his recordings that I own. Rachmaninoff was a master of purity. If you compare his. Ignacy Paderewski, Vladimir de. Pachmann, Arthur de Greef, Ignaz Friedman, Josef Hofmann, etc., you will realize. I think he believed in moderateness. He played with a beautiful singing tone (listen to his. Schubert/Liszt transcriptions! Before I listened to them, I always thought these. Lieder sounded much better when sung by a human, but I changed my mind after. To parody Karajan's compliment about Toscanini, . He used a flowing tempo that was never too fast, with rare exceptions like. Chopin Scherzo 3. He did not try to impress the. His playing had feeling but was never sentimental. He conquered. his audience by his subtlety, sublimity and perfect technical. Rachmaninoff played with an analytical mind. He always looked. This makes a sharp contrast with the. Hofmann's playing in his early recordings. One can hear how carefully he organized the. He seemed to be always striving to make his point. Oh, don't confuse this analytical approach with many super- intellectuals'. Rachmaninoff was definitely on a. The most important recordings he made are those of his own. Rhapsody on a Theme of Paganini, 3. Etudes- tableaux, 8 Preludes, and numerous miniature pieces for the solo piano. The one I like the most is his recording of the Second Piano. Concerto, which he recorded twice and I only have the second one. The tempi are. all perfect, and the slow passages never sound boring. Today many pianists make. In particular, most pianists. An interesting thing. Pianists who do that do so. Rachmaninoff, however, possessed the largest hands among pianists. I find it a. little strange. His recording of the Third Concerto is less satisfactory. His. performance is good, with emphasis on musical depth rather than on technical. I like several other pianists more, especially Vladimir Horowitz. Ormandy), Van Cliburn and Byron Janis. Nevertheless, his playing in. I love. the exciting tone of the several chords just before the climax, the part where. I have 7. 5 versions of this concerto, and. Tzimon Barto is the only one besides Rachmaninoff who also generates such a tone. It is conceivable that Barto was also impressed by it and tried. Arthur Schnabel, the Beethoven specialist, once heard. Rachmaninoff play a Beethoven sonata and commented that it was the best. Beethoven performance he had ever heard. It is so unfortunate that Rachmaninoff. Beethoven piano sonata. However, he did record. Beethoven's Sonata for Violin and Piano No. Schubert's D. 5. 74 and. Grieg's Op. 4. 5, all with the great violinist Fritz Kreisler. These recordings. Rachmaninoff as a fine accompanist. Despite the great collaboration, I. Kreisler, the great master in miniature pieces, made the music sound a. Lastly, I want to talk about a problematic recording of his. Mozart's Rondo alla turca from Sonata K. It sounds absolutely all right. It is a 2/4 piece, with 4 quarter notes every. But what he did in the coda was that he played only the first 3 quarter. As a. result, each of those measures has only one and a half beats. I have no clue why. Rachmaninoff made a legendary recording of Schumann's. Carnaval, which unfortunately I don't have. It has been on my wish list for a. I will try to get it as soon as possible.)Go to top of page. Josef Hofmann (Jan 2. Feb 1. 6. 1. 95. 7)He was a hell of a child prodigy. He began giving concerts at. At age ten, he was playing in so many concerts that the Society for the. Prevention of Cruelty to Children had to intervene. His teachers included Moritz. Moszkowski (1. 85. Anton Rubinstein (1. Franz. Liszt and Carl Tausig, in my opinion). He was history's first recorded musician. Thomas Edison as early as March 1. Legend. has it that the 1. Hofmann made these recordings while sitting on. Edison's lap, but recent research has shown that this wasn't true). Though. started off earlier than anyone else, he made only a small number of commercial. Most of his. recordings have been issued by VAI Audio and Marston in their . Hofmann, in addition to his musical talents, also had a lot of. He also patented the wind shield wiper. So, next time it rains and. Josef. Hofmann. In the introduction to this page, I said that in order to. It is particularly true in the case of Hofmann, as I am. He made only a relatively small number of commercial. Volumes 3 and 4 (a total of. CDs) of VAI's Complete Hofmann Edition. That. really is a pity, not only because of the poor sound quality of these acoustical. While we can hear the most. Hofmann had better. It is monotonous, dead strict in. Just listen to the middle. Chopin's Fantasie- impromptu, which is absolutely lifeless! There are. only a few exceptions. For instance, he managed to play Scarlatti- Tausig's. Pastorale and Capriccio with grace and beautiful shading (I think he could have. Scarlatti player, but unfortunately this is the only Scarlatti he. Mendelssohn's Rondo Capriccioso, Op. I could actually feel changes in my. I heard those moments of deep. Nevertheless, these early recordings are still important. Hofmann displays is truly astonishing. His fingers were. He never had to compromise, even in the most difficult. I was stunned by the ease and rapidity with which he played Liszt's. Waldesrauschen and Hungarian Rhapsody No. Chopin's Waltz in E minor Op. When I listened to him play fast. Liszt La Campanella), the notes sounded. It sounded as if he could have played even. The ultra- fast yet ultra- clear. Liszt's Tarantella are absolutely hair- raising. I wish he had. recorded more Liszt! I have been told that there are recordings of him playing. Liszt's Ballade No. Hungarian Rhapsody No. Wagner/Liszt Tannhauser. Overture, but none of them has been transferred to CD. Besides his. amazing mechanisms, Hofmann's great tone is also something that must not be. It was so rich and singing, although I sometimes find this tone a little. For the best recording from this period, I would pick. Moszkowski's Caprice Espagnole. It is not only technically astounding, but. Hofmann could also amaze with his musicality. Here, one can hear a wide array of. Most of these studio recordings give one the impression. Hofmann cared about was the technical side of a piece. However, when we listen to acoustical recordings, there. The recording industry was in its. Not only that pianists often had to rush through a piece so that it. As Leopold Godowsky, another technical. The fear of doing a trifling wrong augmented while playing; the. It was a dreadful ordeal, increasingly so the more sensitive the. How can one think of emotion! These later recordings are by far better than his earlier studio. Of course part of the reason was that he was playing without the. But I. think Hofmann probably also became more mature as a musician as well. Both his. 1. 93. 7 Golden Jubilee concert and 1. Casimir Hall recital are unmissable. Notice. the abandon, virtuosity, spontaneity, passion, freedom in tempo changes. Indeed, his playing had become. I think this is the biggest difference from his earlier. His playing is often incredibly touching. The feeling in his. What a. contrast that makes with the calculated feeling in the playing of many of. To me, the high points of these two concerts are the. Rubinstein 4th Concerto with Reiner, Chopin's Andante Spianato e Grande. Polonaise Op. 2. 2, and Moszkowski's Caprice Espagnole (more exciting than his. Golden. Jubilee, and Chopin's 4th Ballade and . In some other pieces, however, he could. Chopin Ballade No. Beethoven Waldstein, and Schumann Kreisleriana. One thing I should point out is. In. fact, Vladimir Horowitz did that for at least one piece in his 1. Moscow. recital. The 5th volume of the Complete Hofmann Edition and a 2- CD set. The Vol. 5 gives me much delight, and I think many of his best recordings. One pleasant surprise on this set is the first two tracks. Hofmann's own composition, Berceuse Op. No. 5, one. for solo piano and the other for piano and violin (with Efrem Zimbalist). I. think it is a wonderful piece, and both he and Zimbalist played with deep. Most of the other pieces on the set he had recorded before, either in. Chopin's Waltz. Op. Nocturnes Op. 1. 5 No. Op. 2. 7 No. 2) are even heard in three or more. There are also several pieces that are . Each recording on this. I am marveled by the naturalness of his playing. It. sounds as though he had been playing at home, alone, during his leisure time. A comment. made by Kemal Gekic immediately comes to my mind: . At first I. did not want to get this set for its prohibitive price. I am glad I changed my. The Eklipse set has broadcasts (1. Which versions of La Folia have been written down. Anonymous for carillon (in dutch. Ms. 1. 75. 6)Les Folies d'Espagne (theme and double followed by 1. Manuscript LBII II. Library of Leuven?)(Folie des Spanie)A small introduction of the carillon as an instrument might be handy because. The instrument is built around. Dynamics is possible because the amount of force applied, controls. Jeff Davis, the university carillonist of Berkeley, enlightened me about the. Originally from Belgium and The Netherlands, the carillon. There are close to 2. North America alone. A modern. carillon is capable of extraordinary sensitivity to touch and has, in the. There. are national schools in The Netherlands (Amersfoort), Belgium (Mechelen). France (Douai). In North America, while there is no national school. University of Michigan. Ann Arbor, and at Berkeley. The difficulty in playing comes not from. For further reading about this instrument http: //www. Chapter 7. In the slipcase. Luc Rombouts (see below) three of those sources are mentioned. De Gruytters V.- fel. Wyckaert, nr. 3. 6 (1. La Folie. d'Espagne) and Van Belle. Some sources mention ocasionally that the La. Folia- theme was part of the program to get the appointment of beiaardier. The Leuven manuscript is not just a simple transcription (although some passages. As a source is mentioned the compact disc. Preludia, Matthias Vanden Gheyn' SABAM TM HG 1, 1. Rombouts, Luc and Huybens, G. Een 1. 8de- eeuws. Leuvens beiaardhanschrift' (translation: the songs of the Lovenaers. Gertrude of Leuven, Belgium Realisation sponsored by KU Leuven, Stad Leuven, Gemeentekrediet. Jeugd en Muziek Leuven amongst others. Sint- Pieterskerk (Sergeys- beiaard), Leuven (carillon- beiaard). Duration: 0'1. 7. Heard every hour from. Eastern 2. 00. 3 till Eastern 2. Thanks to Pierre Chantrenne for making this field recording at Leuven. Folies d'Espagne (2. Sint- Pieterskerk, Leuven, Belgium. Published by the magazine . The drum's rotation. The numbers are ment to indicate the division. Title: Folies d'Espagne Created Eastern 2. Duration: From Eastern 2. Eastern 2. 00. 4 for every. Recording date: September 2. Carillon: Sergeys- beiaard of the Sint- Pieterskerk, Leuven. Belgium Anonymous for carillon (Ms. The chosen. formula was to clasp it together with the Folia- progression. To give the tune a nice balance, an intro of an expectant. Folia- variations. The vocal Machado piece starts at the 1. Folia- variation and ends at the first bar of another three later Folia- variations to conclude the piece. Machado- fragment again with the same bridge between the Folia- variation and 'Dos estrellas le siguen' by. Machado. As the source of the Machado- piece is mentioned Cancionero Sablonara, Bayerische Staatsbibliothek, Mus. Manuscrito en forma de libro de coro, copiado en Madrid en la corte. Claudio Sablonara c. Contiene 7. 5 canciones a cuatro, a tres y a dos, cuyos autores son Blas, Romero, Machado, Pujol. R. Falconiero / Manuel: Machado Folias e Dos estrellas le siguen G. Broadcasted by Portuguese Radio April 2. Duration: 8'0. 1. He seems to have been much. Only twenty works of his are. Spanish, and all of exceeding beauty. A case in point is the finesse of his 'Dos estrellas le siguen'. This gem of a song, which opens this recording, is encased in a series of variations elaborated by our. Fol. E SIFD 1. 8 Societa Italiana del Flauto. Dolce. Franco, Horatio (flutes) 'Mestizajes Novohispanos'. With Santiago Alvares harpsichord and Asaf Rolerstein cello: Title: Variaciones sobre La Follia an. French guitarist and lutenist Robert de Vis. Some names that spring to mind include Corelli, Lully, Couperin, Vivaldi, Carl Philipp Emanuel Bach, Marais, d'Anglebert, Telemann, without counting Paganini, Liszt or Rachmaninov much later. In France, it is often called Folies d'Espagne and, in the United Kingdom, Farinel's Ground after Michel Farinel (Farinelli), who was born in 1. Grenoble at tyhe turn of the 1. Manuscrit di Parma) Released 2. Integral Classic compact disc INT 2. Duration: 9'3. 9. Flauto, Anonymous. Released 2. 00. 8 by MA Recordings compact disc M0. A (JP). Duration: 1. Variazioni (Anonimo sec. CF- V- 2. 3 della Biblioteca Palatina di Parma per Flauto. Dolce Contralto (Flauto Traverso, Oboe) e Basso Continuo Published 1. Hors, musica varia, by UT Orpheus. Edizioni, Bologna, Italy Score 2. ISMN M- 2. 15. 3- 0. Anonymous for baroque guitar. Folias de Espanha (ca. Manuscript: Livro de Guitarra do Conde de Redondo (Count of Redondo's guitar. Original source: LVSITANA MUSICA, 1/ opera mvsica selecta - 2 Uma tablatura. O livro do Conde de Redondo, edi. Edited by the Musicology Departement of IPPC - Portugal. Paulo Galv. In this manuscript there is a Giga from Corelli's Op. Monica Hall thinks that around 1. S. Murcia's book published on 1. I. can agree with this. In the Iberian tradition, the book is notated in numerical (as opposed to. Portuguese baroque guitar sources, rhythmic indications. I reconstructed the rhythmic structure. Released 2. 00. 0 by Music. It might well be that the year was added later to the entire manuscript or that the manuscript was a collection of pieces gathered over the years. The 5- string guitar disappeared around 1. Italian builder specialized in mandolins, Gaetano Vinaccia in 1. Napels. The popularity of this new guitar becomes clear when we look at the first printed method in 1. It might be that this innovation was not implemented everywhere at once on a regional level. This Norwegian region is not on the crossroad of spreading innovations and can be considered as a northern outpost of Europe where influences spread at a later date. Whatever the reason might be, I guess the manuscript is written with an eye to the high Baroque despite the dates 1. The person, Johanne Hertzberg, who wrote the guitar music in the book lived from 1. The book was passed down generations, and the date of 1. The guitar music is certainly not of the 1. See. http: //folk. Gitar. html. Den Hertzbergske notebok. Anonymous for baroque guitar See H. Florence)Title unknown: 3 variations These three variations for harp solo might be identical to the variations. Music in manuscript 3. Conservatorio Luigi Cherubini, Florence. Griffiths, Ann revised the modern edition Published as Telwn Dewi in Tregaron, Wales in. O'Farrell, Anne- Marie (Irish harp) 'Number Twenty Nine presents Harping. Bach to Carolan' Title: Folia Source: Telwn Dewi, ed. Ann Griffiths Released 1. Number Twenty Nine and Anne- Marie O'Farrell. Meath Irish harp made in Ireland by Jan Muyllaert Anonymous for harp solo (Ms. Madrid)Diferencias de las Fol. During the course of the seventeenth century the harmonic pattern. The. latter are distinguished by their melodies with upbeats and a clear. The use of the campanela (a frequently. Rivera), barock guitar. Juan Miguel Nieto), theorbo (Consuelo Navas) and viola da gamba (Sara. Ruiz). Released 2. Harmonia Mundi compact disc HMI 9. Duration: 2'0. 0. Gerold. See also the page Recommended Folia- recordings. Zabaleta, Nicanor 'Spanische Harfenmusik des 1. Jahrhunderts' Title: Folias Released 1. Archiv Produktion LP SAPM 1. Series: Archive production, 4th research period Forschungsbereich. Westeuropa zwichen Barock und Rokoko (1. Serie: Spanischen. Meister Missing in the collection of the Rotterdam Discotheek. The Netherlands, October 1. CF0. 00. 23) Anonymous for harp solo (version by Andrew Lawrence- King)Folias (imperfectas) Rather doubtful if this version is for harp solo, In the documentation of the discs no sources (manuscripts) are mentioned at all. Lawrence- King, Andrew 'Erasmus van Rotterdam' Title: Folias (imperfectas) - Anonymous Released 2. Alia Vox 6 cd- set (cd nr. AVSA 9. 89. 5 A/F. Duration: 1'4. 2. Lemoine, Paris, 2. Anonymous for harpsichord solo. Folies d'Espagnes pour clavecin (manuscript, collected 1. The collection, of which the Folies d'Espagne is a part, was collected by. Marc Roger Normand Couperin (1. Court of Sardina. Fran. Because of this last. Couperin of Turin' (Turino, Italy) when. Coperino da Torino'. Although the 2. 7 couplets on La Folia are anonymous, there are clearly links. Folies d'Espagne by d'Anglebert. Moroney. speculates that Coperino may have had lessons with d'Anglebert, and composed. By far the longest and most. La Folia. Couperin's set is noteworthy. First, its unusual length is impressive: containing. Anglebert's famous. The set in Couperin's manuscript has clear links with d'Anglebert's. Couperin left for Turin: 4th. Anglebert's 4th, 7th couplet = d'Anglebert's 6th, 1. Anglebert's 2. 2nd, 1. Anglebert's 2. 1st, 2. Anglebert's 1. 6th. Some of these correspondences are extremely close. We may conclude that Couperin had some contact with d'Anglebert. The work is conceived according. After the opening. Then (iv) the two previous figurations of each hand combined together. F, derived. from (iii). Each group of six variations ends with (vi) a bass solo. Harpsichord by John Phillips, built 1. Berkeley. after Nicolas Dumont 1. In this mansucript is also included Folies d'Espagne pour clavecin (1. Mlle Le Noble)Pierre F. It was begun on 6 Septembr 1. Mlle de La Pierre. It then seems to have served another pupil by the name of Mlle Le Noble, for whom the pieces proposed as exercises were copied straight after the first group. It is possible that both these harpsichordists had the same teacher, but in this case one would have to ask why the teachershould re- copy for the second pupil in the same manuscript some twenty pieces which he had already used with the first pupil. It seems that Mlle Le Noble was more gifted than Mlle de La Pierre, at least as a composer, for she . At all events this represents a music notebook whose physical unity (format, paper, watermarks) is clear. The date 2. 9 January 1. Le Noble part seems to be much later yhan the two copyists' hands. Anonymous and Mademoiselle Le Noble. Title: Folies d'Espagne (6 couplets). Livre de Mademoiselle La Pierre. Published c. 1. 68. Minkoff Reprint. 1. Anonymous for keyboard, Amsterdam (Ms. Book 1. 2Immerseel, Jos van (virginal) 'Hans Ruckers, The musical legacy' Released 2.
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